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Why Indie Cinemas Rule Santa Fe, or the Film-to-Digital Conversion
Rewind to 15 years ago. George Lucas is putting the finishing touches on Star Wars: Episode One. Famously More …
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The Venice Biennale – Small Countries on the Extremes
Venice isn’t far away from Vogue in the days when the Biennale comes around. The hype is, to More …
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Tribeca – Big Men, Big Oil, Big Money
Big Men (at the Tribeca Film Festival) drills away at the exploitation of the oil riches of two African More …
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Art Week in NY – Street at the Met – The Slower the Better
Just turn a camera on a New York street, and you’re likely to get drama or characters, maybe More …
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“Texas Chainsaw 3D” — Slashing for Dollars, Past the Critics
Texas Chainsaw 3D wasn’t mentioned at the annual awards dinner of the New York Film Critics Circle last More …
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Django – Chains and Guns
The key to a film’s success may be casting — yet the timing of a film’s release can More …
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Amour — Best Film of the Year
Beware of a film called Love. In Amour, Michael Haneke takes you to an end of life inevitability More …
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The Iran Job – The Jock-umentary: A Review
Just as foreign policy only makes it to the presidential debates in gaffes, The Iran Job isn’t getting More …
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At Toronto International Film Festival: Leviathan, A Fish Story
If you thought the handheld camera that’s so much in vogue these days was dizzying, prepare yourself for More …
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Roman’s Holiday — and Priests Forever
He’s back. Roman Polanski, the fugitive from US law enforcement, is back on the screen in Marina Zenovich’s More …
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License to Steal — The Ambassador
The Ambassador (Mads Bruggen, Denmark, 2011, 93 minutes) is a documentary that stands Graham Greene, V. S. Naipaul and More …
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Marina Abramovic, The Artist Is Present: Silent Stare, Vanity Movie
MARINA ABRAMOVIĆ THE ARTIST IS PRESENT is now present in movie theaters. The release comes after a long More …
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