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New American Photography at Fotofest: Aaron Schuman Selects 11 Photographers
Photographing the present as if it were already the past may well be what many photographers aspire to More …
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John Tinker at Linda Durham Contemporary
I have loved John Tinkers work for years. The first time I saw it was back in the More …
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Progress in Texas: Wind Farms and Where to Be a Liberal
The American Southwest still conjures images of rugged terrain, ancient civilizations, and hidden treasure. Mapping a course from More …
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Film Review: A Prophet
A Prophet is the prison drama that won Cannes and was the French contender to win an Oscar More …
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Movie Review: Greenberg
Greenberg, Noah Baumbachs new semi-comedy about a 40-ish former musician in a rut who meets a sweet girl More …
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Spyfrost Project Is Cold War redux: David Trautrimas’s Digital Work
There are plenty of chronicles of the post-industrial landscape. Few are as allusively eerie as David Trautrimass. David More …
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The Artist Is Present, with Doubt
In the late 1960s in Belgrade, Marina Abramović began thinking up rebellious unrealizable performances for public spaces, just More …
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Hasan Elahi at SITE Santa Fe: Watching the watchers
On June 19, 2002, Bangladeshi born U.S. Citizen Hasan Elahi handed his passport to a TSA Agent at More …
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Movie Review: The Runaways
In The Runaways, the debut feature for music video director Floria Sigismondi, the early tempestuous days of Joan More …
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Art Critic for Denver Post says ‘Bienniel in Good Hands’
Kyle McMillan, art critic for the Denver Post, says the dubious Denver Biennial is now in good hands More …
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The Whitney Biennial’s Controversial Snapshot: Lorraine O’Grady and Michael Jackson
You have to stay through 1:08 of the video below (and see also 6:59) to see in situ More …
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Tino Sehgal Activates the Guggenheim
Entering the Guggenheim Museum in New York, I expected a child to approach me, having been forewarned about More …
March 2010